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	<title>event &#8211; The Public Advisors</title>
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		<title>Campaign: Horror Vacui (Fear of emptiness)</title>
		<link>https://www.publicadvisors.ro/campaign-horror-vacui-fear-of-emptiness/</link>
		
		<dc:creator><![CDATA[PublicAdmin99]]></dc:creator>
		<pubDate>Thu, 07 Aug 2025 13:53:47 +0000</pubDate>
				<category><![CDATA[Projects.]]></category>
		<category><![CDATA[community relations]]></category>
		<category><![CDATA[event]]></category>
		<category><![CDATA[media relations]]></category>
		<category><![CDATA[strategy]]></category>
		<guid isPermaLink="false">https://www.publicadvisors.ro/?p=3561</guid>

					<description><![CDATA[OPPORTUNITY/ CONTEXT In post-communist Romania, the legacy of state institutionalization and child abandonment remains a profound collective wound—rarely addressed, yet deeply ingrained in the national psyche. Within this sensitive historical and emotional landscape, A.R.T. Fusion Association, through its cultural change platform Papercuts, conceived a bold and unprecedented project: Horror Vacui. As the agency entrusted with &#8230;<p class="read-more"> <a class="ast-button" href="https://www.publicadvisors.ro/campaign-horror-vacui-fear-of-emptiness/"> <span class="screen-reader-text">Campaign: Horror Vacui (Fear of emptiness)</span> Read More »</a></p>]]></description>
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<h2><strong>OPPORTUNITY/ CONTEXT</strong></h2>
In post-communist Romania, the legacy of state institutionalization and child abandonment remains a profound collective wound—rarely addressed, yet deeply ingrained in the national psyche. Within this sensitive historical and emotional landscape, <strong>A.R.T. Fusion Association</strong>, through its cultural change platform <strong>Papercuts</strong>, conceived a bold and unprecedented project: <strong>Horror Vacui</strong>.

As the agency entrusted with the full communication mandate for Horror Vacui, we immediately recognized both the emotional power and the civic urgency behind this initiative. From the outset, it was clear that this was not simply an artistic endeavor—it was a <strong>historic act of remembrance, recognition, and advocacy</strong>, one that demanded equally thoughtful and impactful communication. Hosted between <strong>February 15 and 22, 2025</strong>, at <strong>Galateca Art Gallery</strong> in Bucharest, Horror Vacui became the <strong>longest continuous theatre performance in the world</strong>: a durational, 168-hour non-stop performance featuring <a href="https://stirileprotv.ro/stiri/actualitate/cel-mai-lung-eveniment-teatral-din-lume-va-avea-loc-la-bucuresti-sustinut-de-peste-500-de-actori.html" target="_blank" rel="noopener"><strong>over 500 actors</strong></a>, interpreting <strong>505 texts</strong> derived from real testimonies of abandoned children. The entire performance was streamed <strong>live on YouTube</strong> 24/7, making it both physically and digitally accessible to a wide audience.

More than a theatrical event, Horror Vacui emerged as a <strong>manifesto for social truth</strong>—bringing to light one of Romania’s most painful and repressed histories. It invited the public not only to witness, but to engage emotionally and civically, creating a shared space of remembrance, empathy, and collective reflection. From a communications perspective, the challenge—and the opportunity—was extraordinary: to elevate Horror Vacui beyond its cultural magnitude and position it as a <strong>civic landmark</strong>, catalyzing public dialogue, media attention, and institutional awareness around the trauma of abandonment and the necessity of acknowledgment.
<h2><strong>RESEARCH</strong></h2>
The foundation of this ambitious project rested on both <strong>emotional insight and strategic intelligence</strong>. The curatorial backbone was developed in collaboration with the <strong>Museum of Abandonment</strong>, an institution that had collected <strong>hundreds of testimonies</strong> over the past four years—raw, unfiltered, real-life stories of those who were abandoned or institutionalized.

In parallel, the communication team examined the public discourse surrounding institutional trauma and historical injustices, particularly in cultural and media contexts. The goal was to identify the appropriate tone and framing for a topic of such emotional weight. This informed a communication strategy focused on empathy, authenticity, and civic resonance, avoiding any dramatization and instead amplifying the voices of those directly affected.
<h2><strong>PLANNING</strong></h2>
Planning for Horror Vacui began in <strong>December 2024</strong>, with the full communication rollout launched on <strong>January 20, 2025</strong>. As the agency leading the strategy, our role was to build a framework that would amplify the emotional and civic power of the project while ensuring national visibility.

The main objectives were to:
<ul>
 	<li>Raise <strong>public awareness</strong> of Romania’s history of child abandonment;</li>
 	<li>Create a <strong>cultural space for dialogue and reflection</strong>;</li>
 	<li>Position the performance as both a <strong>record-breaking artistic event</strong> and a <strong>catalyst for social recognition</strong>.</li>
</ul>
Our communication plan included:
<ul>
 	<li><strong>Four key press releases</strong> marking all major phases of the project (launch, pre-event, manifesto, closure);</li>
 	<li>A strong presence across <strong>Facebook, Instagram, and TikTok</strong>, with regular posts that informed, engaged, and mobilized the audience—highlighting key moments</li>
 	<li><strong>Earned media outreach</strong> that secured <strong>26 interviews</strong> and broad national coverage;</li>
 	<li>Coordination of a <strong>press conference</strong> to launch the “Forgotten Children of Romania” manifesto on February 21.</li>
</ul>
We worked closely with the production team to ensure real-time content, press access, and messaging coherence. Throughout, the focus remained on respectful, emotionally resonant storytelling—placing collective memory, civic healing, and cultural responsibility at the heart of every communication effort.
<h2><strong>EXECUTION</strong></h2>
<strong>Performance &amp; Event Execution:</strong>

From <strong>February 15 to 22, 2025</strong>, Horror Vacui unfolded as a non-stop immersive experience at Galateca. The gallery was transformed into a <strong>theatrical arena of memory</strong>, where:
<ul>
 	<li>Over <strong>500 actors</strong>, including stars such as Maia Morgenstern, Tudor Chirila, Ada Gales, Ofelia Popii, Dana Rogoz, and Richard Bovnoczki, gave voice to anonymous, real-life testimonies.</li>
 	<li>Stories were drawn from archived confessions, letters, and documents curated by the <strong>Museum of Abandonment</strong>, covering the years 1966–1997.</li>
 	<li>The audience was free to enter at any time, becoming part of a living installation.</li>
</ul>
The performance was <strong>broadcast live</strong> on YouTube for the entire 168 hours, generating constant engagement across digital platforms.

<strong>Media Strategy &amp; Press Relations:</strong>

Four key <strong>press releases</strong> structured the media narrative:
<ol>
 	<li><strong>Jan 20</strong> – Announcement of the project and its concept</li>
 	<li><strong>Feb 13</strong> – Countdown to launch and actor line-up reveal</li>
 	<li><strong>Feb 21</strong> – Launch of the “Forgotten Children of Romania” Manifesto</li>
 	<li><strong>Feb 28</strong> – Closing statement and Guinness World Records submission</li>
</ol>
These releases were supported by:
<ul>
 	<li><strong>26 interviews</strong> granted to top Romanian and international outlets including ProTV, TVR Cultural, Radio Romania Actualitati, Aleph News, Scena9, and HotNews</li>
 	<li><strong>On-site media presence</strong> and journalist engagement during the 7-day event</li>
</ul>
<strong>Social Media and Digital Ads:</strong>
<ul>
 	<li>Dedicated Facebook, Instagram, and TikTok accounts were launched</li>
 	<li>Daily organic posts with updates, testimonials, quotes, news etc.</li>
 	<li>Engagement spikes during livestream hours, with interactive features (comments, shares)</li>
</ul>
<strong>Press Conference &amp; Manifesto:</strong>

On <strong>February 21</strong>, a press event was held to unveil the Manifesto: “The Forgotten Children of Romania – A Call for Truth and Reparation”, demanding the formation of a national commission to investigate institutional abuse from 1966 to 1997. The event catalyzed significant media attention and public dialogue.</div>
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					<div class="elementor-text-editor elementor-clearfix"><p>The results exceeded expectations—both in numbers and societal impact:</p>
<p><strong>Quantitative Impact</strong></p>
<h1>4</h1>
<p>Press releses</p>
<h1 style="font-size: 3.33333rem; font-style: normal;">199</h1>
<p><span style="font-style: inherit; font-weight: inherit;">Media appearances (139 online, 18 TV, 9 radio, 33 social media)</span></p>
<h1 style="font-size: 3.33333rem; font-style: normal;">26</h1>
<p><span style="font-style: inherit; font-weight: inherit;">Earned interviews</span></p>
<h1 style="font-size: 3.33333rem; font-style: normal;">1</h1>
<p><span style="font-style: inherit; font-weight: inherit;">Press conference</span></p>
<h1 style="font-size: 3.33333rem; font-style: normal;">99,700 eur</h1>
<p><span style="font-style: inherit; font-weight: inherit;">Estimated media value (rate card)</span></p>
<h1 style="font-size: 3.33333rem; font-style: normal;">+10,000,000</h1>
<p><span style="font-style: inherit; font-weight: inherit;">Total estimated impressions</span></p>
<h1 style="font-size: 3.33333rem; font-style: normal;">1,600,000</h1>
<p><span style="font-style: inherit; font-weight: inherit;">Total reach</span></p><h1 style="font-size: 3.33333rem; font-style: normal;">+2,000</h1><p><span style="font-style: inherit; font-weight: inherit;">In-person spectators during opening</span></p><h1 style="font-size: 3.33333rem; font-style: normal;">+20,000</h1><div><p style="font-size: 15px; font-style: normal; font-weight: 400;"><span style="font-style: inherit; font-weight: inherit;">YouTube live views</span></p></div></div>
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					<div class="elementor-text-editor elementor-clearfix"><p><strong>Qualitative Impact</strong></p><ul><li>Consistently <strong>positive tone</strong> across national media coverage</li><li>High audience engagement on social media throughout the performance week</li><li>Broad visibility that positioned Horror Vacui as both an artistic and social landmark</li><li>Submission to <strong>Guinness World Records</strong>, pending official validation</li></ul><p>Horror Vacui did not end with the final act. It sparked <strong>long-term cultural and civic conversations</strong>, inspiring similar initiatives in other cities and a national awareness campaign on abandonment trauma. The performance became not just a record-breaking act, but a <strong>catalyst for healing and justice</strong>.</p></div>
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		<title>Campaign: The Army of Toys</title>
		<link>https://www.publicadvisors.ro/campaign-the-army-of-toys/</link>
		
		<dc:creator><![CDATA[PublicAdmin99]]></dc:creator>
		<pubDate>Mon, 09 Jan 2023 09:42:59 +0000</pubDate>
				<category><![CDATA[Projects.]]></category>
		<category><![CDATA[event]]></category>
		<category><![CDATA[influencers campaign]]></category>
		<category><![CDATA[media relations]]></category>
		<category><![CDATA[strategy]]></category>
		<guid isPermaLink="false">https://www.publicadvisors.ro/?p=3220</guid>

					<description><![CDATA[OPPORTUNITY Since escaping communism 30 years ago, Romania has constantly battled a political machine fraught with corruption. One of the fraudulent methods used is to take public land and rezone it for commercial purposes to benefit accomplices. This is what happened in a neighbourhood in Bucharest, where residents woke up to find that a planned &#8230;<p class="read-more"> <a class="ast-button" href="https://www.publicadvisors.ro/campaign-the-army-of-toys/"> <span class="screen-reader-text">Campaign: The Army of Toys</span> Read More »</a></p>]]></description>
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<h2><strong>OPPORTUNITY</strong></h2>
Since escaping communism 30 years ago, Romania has constantly battled a political machine fraught with corruption. One of the fraudulent methods used is to take public land and rezone it for commercial purposes to benefit accomplices. This is what happened in a neighbourhood in Bucharest, where residents woke up to find that a planned park had been reassigned overnight as land for apartment buildings.

Our purpose was straightforward: to correct this injustice and get back the promised park. The neighbourhood NGO filed an action in court and we also turned to the court of public opinion. But in order to protest against the abuse at the height of pandemic restrictions, we needed to approach this issue creatively.

We had one chance: to use the local elections for district mayor to bring people together and draw attention to the issue to put pressure on lawmakers at their most vulnerable moment.
<h2><strong>RESEARCH</strong></h2>
Green spaces in Romanian cities are increasingly threatened due to their destruction as a result of the negative impact of the development of economic and social activities. According to the World Health Organization, the norm of green space for one inhabitant must be 50 square meters. At the level of the European Union, where the urban environment represents the habitat for about 75% of the population, the standard in terms of green spaces is a minimum of 26 sqm/inhabitant.

According to the <u><a href="http://www.curteadeconturi.ro/Publicatii/sinteza%20peisagistica%2014-12-2015.pdf?fbclid=IwAR3dAj5933sqftUoVBwF5gAp9TOx65vT3Q50O-iwfk0B7TtH2AhNP-Ko0qg" target="_blank" rel="noopener">”Sinteza Peisagistică</a></u><u>”</u> report, published by the Court of Accounts, each inhabitant of Bucharest has on average less than 10 square meters of green space (almost three times less than the European norm of 26 square meters/inhabitant and seven times less compared to the norm recommended by the World Health Organization of 50 sqm/inhabitant).

The residents of Sector 6 benefit from 213 hectares of green space, respectively 10% of the total green space in the Capital, compared to sector 3 which registers a share of 19%. On a simple visit to the ANL Constantin Brâncusi neighborhood, whose area is <u><a href="http://www.primarie6.ro/www/download/Hotarari_Consiliu/hotarari_2009/2009_08_18_HCL_168/2009_08_18_AnexeHCL_168/2009_08_18_AnexeHCL_168_004.pdf" target="_blank" rel="noopener">115,000 m2,</a></u> anyone can notice that there is only one small park in the area with a population of approx. 4000 people.
<h2><strong>PLANNING</strong></h2>
The creative idea solved the difficult challenge of protesting injustice when large gatherings were heavily restricted (due to pandemic situation), and gave the neighbourhood a strong voice while keeping everyone safe and healthy.

It put the legal fight into human perspective and brought attention to the abuse, so we could win a small battle for one of our planet’s last crucial resources: trees and green areas. The campaign was an interplay between a real-life event and online amplification.

With our small budget, we aimed to draw attention to the issue and use this attention to pressure politicians into action, to repair the abuse.

Toys were the main characters in this proxy protest and also the protagonists of an emotional online video where a bear leads the resistance against aggressive construction machinery, to show the city that even a gentle toy can bring about change when it becomes a symbol of passion and determination.

The insight was simple and deeply rooted in the minds of our target, parents who live in the neighbourhood: if a toy protects a child from the monsters under the bed, maybe an army of toys will protect them from the ‘monsters’ in real life, corrupt politicians who want to steal their park. Under the “Everything for the park, everything for victory” rallying cry, the oxymoronic concept of Army of Toys spoke to the hearts of all the parents in our neighbourhood. And Bucharest. And Romania.

The campaign was designed with a generational impact in mind. Our aim has always been to win this battle and have the park built so that the descendants of the residents would enjoy it in the neighbourhood for decades to come.
<h2><strong>EXECUTION</strong></h2>
A week before elections we launched our campaign and mobilized district residents to fight by asking them to bring a toy to the site of the stolen park, to have it stand in protest instead of people.

To draw residents in, we had a neighbourhood kid direct our campaign video <u><a href="https://youtu.be/W09drl7eWgY" target="_blank" rel="noopener">https://youtu.be/W09drl7eWgY</a></u> and we gave him the funds and the support to get it produced. We circulated the video online to draw attention to the upcoming protest-event, which spanned an entire day, Sep 20 2020.

When people stopped by to drop off a toy, they signed a physical petition that was also available online for people who couldn’t come.

Our aim was to raise as many signatures as the small neighbourhood allowed, so that our influence on the mayor candidates would be large enough to get them to notice. When the event was over we donated the toys to children in need.</div>
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					<div class="elementor-text-editor elementor-clearfix"><p>We targeted our campaign at the local community directly affected by the issue. With this, we applied pressure to the district mayoral election. The results surpassed our expectations:</p><p>We raised and donated <b>700+ toys; </b></p><p>&gt;<b>1000 petition signatures; </b></p><p><b>Thousands</b> of reactions on social media;</p><p><b>Influencers </b>got involved pro bono in the campaign, contributing to rallying the community around the cause (Ioana Chicet Macoveiciuc, Cristian China Birta, Mihai Vasilescu, Ștefana Teodoroiu).</p><p>Our aim was local, but the <b>campaign enjoyed major exposure</b> by having national television pick up the story organically and covering it for national evening news.</p><p>After the broadcast of the news on <b>PRO TV </b>in the evening news, the number of online signatures <b>increased by 50%. </b>National radio also invited the NGO to speak on air.</p><p>Aprox. <b>50 press materials </b>were published and we had almost <b>3 million </b>opportunities to see.</p></div>
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					<div class="elementor-text-editor elementor-clearfix"><p>Most importantly, we reached the district mayor candidate who later won the election, who surprised everyone with this direct quote on the day of the event “The people of #District6 are trying to protect the only green area they have left. It’s a story about kids, about green spaces, about play areas. People want air to breathe. We talked, we’ve gotten to know each other, we’re in this together.”</p><p>The &#8220;Salvati Zona Verde Domnișoara Pogany&#8221; association won the process of cancelling the coordinating PUZ of sector 6, so that no real estate developer can for now build buildings on the land on which a park should have been originally designed.</p></div>
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		<title>Campaign: BRIO introduces standardized testing in Romania</title>
		<link>https://www.publicadvisors.ro/campaign-brio-introduces-standardized-testing-in-romania/</link>
		
		<dc:creator><![CDATA[PublicAdmin99]]></dc:creator>
		<pubDate>Mon, 09 Jan 2023 09:20:59 +0000</pubDate>
				<category><![CDATA[Projects.]]></category>
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		<category><![CDATA[media relations]]></category>
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		<guid isPermaLink="false">https://www.publicadvisors.ro/?p=3204</guid>

					<description><![CDATA[CONTEXT Almost all countries with which Romania compares itself aspirationally (UK, France, Germany, USA, etc.) have standardized assessment systems, which are sometimes used for high impact (e.g. Baccalaureate) or low impact (e.g. current classroom assessment) decisions. International comparative tests in education, e.g. PISA, TIMSS, PIRLS, ICCS, ICILS, etc., use standardized tests. The major university admission &#8230;<p class="read-more"> <a class="ast-button" href="https://www.publicadvisors.ro/campaign-brio-introduces-standardized-testing-in-romania/"> <span class="screen-reader-text">Campaign: BRIO introduces standardized testing in Romania</span> Read More »</a></p>]]></description>
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					<div class="elementor-text-editor elementor-clearfix"><p><iframe loading="lazy" title="YouTube video player" src="https://www.youtube.com/embed/Ij5l9ZGxb2c" width="560" height="515" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p><h2><strong>CONTEXT</strong></h2><p>Almost all countries with which Romania compares itself aspirationally (UK, France, Germany, USA, etc.) have standardized assessment systems, which are sometimes used for high impact (e.g. Baccalaureate) or low impact (e.g. current classroom assessment) decisions. International comparative tests in education, e.g. PISA, TIMSS, PIRLS, ICCS, ICILS, etc., use standardized tests. The major university admission tests are standardized tests. So we can conclude that standardized testing is widely used by all those systems that want to ensure fairness in assessment and control the assessment errors typical of what we call &#8220;classical assessment&#8221;.</p><p>However, in Romania we often hear phrases that label children: &#8220;He&#8217;s an A student&#8221; or &#8220;He&#8217;s an F student&#8221;. This begs the question: what should really matter, grades or knowledge? In Romanian education culture, grades are the pinnacle of a pupil&#8217;s progress in school and proof of a teacher&#8217;s success. But can we really talk about &#8220;progress&#8221; and &#8220;success&#8221; in an educational system where the standard of evaluation is rather subjective, not uniformly applied and differs from school to school, from urban to rural? The answer is that the assessment of pupils must be done objectively, through uniform grading standards, the only way we can have actionable data at both the individual (child) and macro level (classrooms, schools, counties, etc.).</p><p>Moreover, the recent pandemic has also shown us the need for digital tools in absolutely all areas. The field of education has been one in which online methods have been used, in a long line of firsts for pupils and parents as well as for educators, to replace physical classes. For a variety of reasons, not all of these have been successful, and repeated changes and approaches have generated a rather adversarial attitude from the general public based also on a major lack of functional digital skills.</p><p>Thus, the standardized testing by digital tool that Brio® is performing came on a &#8220;no men&#8217;s land&#8221; of the Romanian collective mind. In general, for Romanians, new things about which little is known generate rumors, dividing society in two: those for and those against.</p><p>In short, this is how the Brio® journey began, opening up a new market and building a new product category: standardized and digital educational tests.</p><p>Even though Brio® was a virtually unknown platform in the Spring of 2020, with only 12,000 users, it had all the ingredients to succeed: a smart &amp; modern product, the way to get the right people to invest in it and develop it, founders that are expert in education field, who think outside the box, forward-thinking early adopting teachers and a school population with devices at their fingertips.</p><h2><strong>RESEARCH</strong></h2><p>According to a Eurostat report on the digital skills of young people in Europe (16-24 years old), those in <b>Romania rank last in the EU</b>.</p><p>56% of them have basic digital skills, compared to the EU average of 80%. Romania ranks last in the general population, only 10% of Romanians have superior digital skills (vs. 33% EU average), while 43% have low skills (vs. 28% EU average).</p><p>Despite the low level of digital skills, in compulsory education Romania has the highest number of hours allocated to digital competence as a separate compulsory subject in upper secondary education. At the same time, Romania has the best results in the Connectivity dimension, due to the high use of very high-speed broadband and the wide availability of very high-capacity fixed networks, especially in urban areas. The lack of digital literacy in Romania could, thus, be said that is not determined by the lack of access to information or tools, but by the low interest and poor training among all actors involved in the educational process.</p><p>Moreover, the PISA results, which show the results of the education system and &#8220;what the child learns&#8221;, do not look good for Romania: 44% language illiteracy, 44% numeracy illiteracy, 45% scientific illiteracy, the last place in Europe for basic general digital skills among young people. This is the reality in which students learn and the need for rapid intervention to correct the main areas of testing: the ability to understand and operate with texts and numbers.</p><h2><strong>PLANNING</strong></h2><p>The BIG and <b>bold</b> idea was to introduce the benefits of digital standardized evaluation to Romania.</p><p>The communication campaign was <b>primarily </b>intended for students in grades I-XII, parents, educators, schools and other institutions involved in the educational process in Romania. This universe consists in 3 million students, 210 thousand teachers, 7 thousand principals. The institutions involved in the educational act, targeted by this campaign are: the Ministry of Education and Research and the School Inspectorates.</p><p>Investors were our <b>secondary target</b> in order to secure financial support for the extensive needs generated by the development efforts.</p><p><b>Channels:</b> <b>Media:</b> print, online, radio, podcasts, TV<b>; </b><b>Own channels:</b> website &amp; social media (Facebook, Instagram, YouTube)<b>; </b><b>Endorsers’ channels:</b> social media, blogs<b>; </b>Direct meetings with authorities’ representatives<b>; </b><b>Investors channels:</b> business media, equity crowdfunding platforms, investors events.</p><h2><strong>EXECUTION</strong></h2><p>According to Anthony Kennada, the 3 ingredients that you need for creating a new product category are: a crazy marketing leader, a ton of money and fearless tenacity and consistency.</p><p>Brio® has managed to make a cocktail of these 3. It started with a management team that publicly pushed forward two daring personalities, an expert &#8211; <b>Prof. Dragos Iliescu</b>, PhD, one of the most important contemporary names in educational testing worldwide -, and an experienced marketer passionate about education &#8211; <b>Gabi </b><b>Bartic</b><b>. </b>They were the “crazy” leaders. With them at the wheel, the execution campaign was ready to unfold.</p><p>A product of this kind needs years of research before being ready for the public. This is why, in its first years, Brio® needed as many visionary investors as it could get. At the beginning we launched an extensive campaign in order to explain the market what ed-tech means and raise money.</p><p><b>PHASE </b><b>1</b><b>: </b><b>INVEST WITH BRIO®</b></p><p>Listing the company on SeedBlink, the largest equity crowdfunding platform in the CEE region, was the way to reach potential investors. In 2020, the company&#8217;s market value was 2.7 million euros before the first listing. Almost 50 investors were attracted and 285,000 Euros capital was the final amount attracted. In 2022 the company opened to the market for the second time after almost doubling its initial value to 5.5 million euros (post-money evaluation). The second round was led by businessmen Horia Manda and Valentin Tăbuș, partners in AXXESS Capital, who invested 550,000 euros. The two investors were joined by a new round on SeedBlink, of 250,000 euros.</p><p><b>PHASE </b><b>2</b><b>: </b><b>LEARN</b><b> WITH BRIO®</b></p><p>The money was used for product development and for multiple programs that were meant to both support the community and increase familiarity of the target audience with digital standardized testing. BRIO® was launched by offering free training testing for the first exams in the pandemic (Baccalaureate and National Evaluation of 2020) adopted by more than 20,000 students and 400 teachers, continued with putting together a coalition (The Alliance for Remedial Education (AER)) with other companies that offer digital teaching instruments, and offering free remedial education for 4,500 students and free digital education trainings for 2,500 teachers from 5 counties. Furthermore, BRIO® initiated the first digital mathematics Olympics in Romania, Brio Challenge, that had four editions until now enrolling 25,000 participants.</p><p>In order to generate these results, we relayed heavily on media relations campaigns mixed with special projects in partnership with different types of media &amp; influencers.</p><p><b>PHASE </b><b>3</b><b>: </b><b>EDU-DATA BY</b><b> BRIO®</b></p><p>In order to show the target audiences of the importance and the benefits of standardized testing, BRIO® decided to conduct thorough evaluations of the state of the nation regarding different types of literacy of the Romanian school population.</p><p>We decided to partner with other private and NGOs and we signed protocols with UiPath Foundation (for digital literacy) and BRD Groupe Société Générale and their program ALFABETAR (for Romanian language literacy).</p><p><b>PHASE </b><b>4</b><b>: </b><b>AUTHORITIES RELATIONS</b></p><p>In September 2021, at the Black Sea and Balkans Security Forum, the Minister of Education Sorin Cîmpeanu said that there are still no dedicated and secure platforms to have a proper, quality assessment in online education. This is when Gabi Bartic writes an editorial in which she points out <u>that such platforms do exist and express their disposal for consultations with the ministry</u> in the field of standardized assessment.</p><p>We wanted to make the government act and we did not stop with one Facebook post. We participated at as many public consultations as possible, we discussed with representatives of the Ministry of Education at every public event that was held on our topic. Public consultations on the Romanian Laws of Education were held as part of this project, and <u><a href="https://www.facebook.com/gabi.bartic/posts/pfbid09DHHdVSWrMc3eLph3cphEWgGQhxe73bzquz3h1rtBFbqrog8E7DmZKnMr7dKwgRDl" target="_blank" rel="noopener">Gabi </a></u><u><a href="https://www.facebook.com/gabi.bartic/posts/pfbid09DHHdVSWrMc3eLph3cphEWgGQhxe73bzquz3h1rtBFbqrog8E7DmZKnMr7dKwgRDl" target="_blank" rel="noopener">Bartic</a></u><u><a href="https://www.facebook.com/gabi.bartic/posts/pfbid09DHHdVSWrMc3eLph3cphEWgGQhxe73bzquz3h1rtBFbqrog8E7DmZKnMr7dKwgRDl" target="_blank" rel="noopener"> lead the Evaluation </a></u><u><a href="https://www.facebook.com/gabi.bartic/posts/pfbid09DHHdVSWrMc3eLph3cphEWgGQhxe73bzquz3h1rtBFbqrog8E7DmZKnMr7dKwgRDl" target="_blank" rel="noopener">Commitee</a></u>. Furthermore, in order to reach the institutional target, we organized a series of events in partnership with media.</p><p>Our efforts culminated when, at the conference announcing the results of the State of the Nation Literacy Report, Minister Cîmpeanu publicly invited Brio to help implement the first pilot standardized testing program in Romania. BRIO joined Ministry of Education and did the Pilot Testing Program in 526 schools from all around Romania at all levels: primary, gymnasium and high schools with a total of 280,237 tests taken.</p><p>BRIO used its platform for the Pilot Testing Program and, at the end, issued a report and handed over all data to the experts of the Ministry. Following the Pilot Testing Program, Standardized Testing was introduced in the new Education Laws starting 2024. The Laws will go to Parliament for voting later this year.</p></div>
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					<div class="elementor-text-editor elementor-clearfix"><ul><li>Extensive presence in prime-time TV shows, a large number being inquired by the journalists themselves: Neatza cu Razvan si Dani (Antena 1), Vorbeste lumea (Pro TV), Cu capu-n zori (TVR 1), In fata ta (Digi24), Profit News (Profit TV)</li><li>All the TV news journals took over the stories in their prime-time news</li><li>Public persons expressed their support for Brio®: Tudor Chirila, Vlad Voiculescu, Andi Moisescu, Dacian Ciolos, Catalin Tenita, Cristina Stanciulescu, Dragos Stanca, Vlad Petreanu</li><li>Brio® was recognized by Business Magazine as one of the Most innovative companies in Romania</li></ul></div>
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					<div class="elementor-text-editor elementor-clearfix"><h1>86 mil</h1><p><b><i>Opportunities to see</i></b></p><h1>765</h1><p><b><i>Press materials</i></b></p></div>
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		<title>Campaign: NU da doar cu SEEN</title>
		<link>https://www.publicadvisors.ro/campaign-nu-da-doar-cu-seen/</link>
		
		<dc:creator><![CDATA[PublicAdmin99]]></dc:creator>
		<pubDate>Mon, 09 Jan 2023 08:50:49 +0000</pubDate>
				<category><![CDATA[Projects.]]></category>
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		<category><![CDATA[influencers campaign]]></category>
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		<guid isPermaLink="false">https://www.publicadvisors.ro/?p=3142</guid>

					<description><![CDATA[OPPORTUNITY To be a teenager parent is hard. If your child battles with depression is even harder. The parents that worked at the production of the film OTTO The Barbarian (film who brought to the big screens the story of an young adult who faced the death of his girlfriend leaving him depressed) decided they &#8230;<p class="read-more"> <a class="ast-button" href="https://www.publicadvisors.ro/campaign-nu-da-doar-cu-seen/"> <span class="screen-reader-text">Campaign: NU da doar cu SEEN</span> Read More »</a></p>]]></description>
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<h2><strong>OPPORTUNITY</strong></h2>
To be a teenager parent is hard. If your child battles with depression is even harder. The parents that worked at the production of the film OTTO The Barbarian (film who brought to the big screens the story of an young adult who faced the death of his girlfriend leaving him depressed) decided they had to do everything that stays in their power to raise awareness of the seriousness of the subject of &#8216;teenage depression’.

The “Public Advisors Agency” joined as a lead partner in this effort. The initiative relied solely on the strength of this group of parents and the PR agency to help them take the message forward without involving corporate sponsorship. The film was presented at “TIFF” where it received the “The Best Romanian Feature Film” award and at the Anonimul Festival.
<h2><strong>RESEARCH</strong></h2>
Major depressive disorder in children and adolescents is often under-diagnosed worldwide. We can discuss even more about under-diagnoses in a country like Romania where the subject has been present for very little time in public discussion or in the media.

The World Health Organization reports that half of all cases of emotional disorders occur around the age of 14, but most are undetected and untreated and can profoundly affect areas such as school activity and attendance.

Teenagers experience episodes of major depression at a rate comparable to adults, with three quarters of those depressed suffering from additional mental disorders.

By the age of 24, half of them experience another episode of major depression. Only a quarter of those who had a history of major depression between the ages of 14 and 19 completely outgrow these problems by the age of 23, but they too are subject to the reminiscent effects of the disorders they experienced in their younger years. In addition, the vast <b>majority of adolescents with depression (75%) do not receive systemic treatment</b>.

Suicide is the leading cause of death among adolescents aged 10-19 in low-and-middle-income European countries in the region and the second leading cause in high-income countries. The World Health Organisation reports that up to 10% of boys and 14% of girls aged 11 reported &#8220;feeling sad&#8221; more than once a week in the past six months on average in 28 European OECD countries.  According to the same report, the proportion of children reporting feeling sad increases with age, and the gender gap becomes even more pronounced: at age 11, 14% of girls report feeling sad compared to 10% of boys, while at age 15 the gap is wider: 29% of girls and only 13% of boys.
<h2><strong>PLANNING</strong></h2>
Considering that the target audience was both children/adolescents suffering from depression and their parents, families, friends and teachers, we created a concept that could be understood and internalized by all these audiences.

The main message of the campaign was „NU da doar cu SEEN” (&#8220;Don&#8217;t just „SEEN&#8221;) and the logo was the &#8220;seen&#8221; sign, but with 3 blue ticks.

We chose to use this symbol because the tick system is well known to users of the Whatsapp messaging app which is extremely popular among young Romanians and has 2 billion users globally.

We then made an analogy with the life of a depressed teenager who doesn&#8217;t just need to be seen. He needs to be helped, understood, supported.

The message that uses the language of teenagers on social media, but is also understood by parents, translates into: <b>don&#8217;t ignore someone, pay attention, help them, answer them or show them where they can find help</b>. The word SEEN also has a link to the film: don&#8217;t just watch the film, do something.

Because our campaign message is to do something, to overcome the status of witnessing the depression of your child, friend or student, we decided that we, the initiators of this campaign, should be the ones to show the way to the relatives and offer them some intervention tools. Thus we attracted as implementing partner in the campaign the psychologist Yolanda Crețescu who became the public &#8220;spokesperson&#8221; of the campaign and DepreHUB, one of the most popular online platforms that offer psychological support to young people. We concentrated our communication efforts in 3 weeks of tactical implementation in parallel with the period when the film OTTO the Barbarian ran in all cinemas in Romania.
<ul>
 	<li><b>one</b><b> grey tick </b>&#8211; the message has been sent, but the recipient has not yet received it.</li>
 	<li><b>t</b><b>wo grey ticks </b>&#8211; the message has also been received by the caller&#8217;s phone, and when the two grey ticks turn blue, the caller has also read your message.</li>
 	<li><b>two blue ticks </b>– the message has been read.</li>
</ul>
<h2><strong>EXECUTION</strong></h2>
The ”NU da doar cu SEEN” campaign focused on a mechanism to raise awareness of the problem and then a call to action leading to the solution: the free teenage depression helpline run by partner DepreHUB (<a href="https://adolescenti.deprehub.ro/" target="_blank" rel="noopener">https://adolescenti.deprehub.ro</a>/) which ran throughout the campaign.
<h5><b>Communication channels and support</b></h5>
<b>For young people:</b>

The film itself represented an asset to the campaign and cinemagraphs and media were the channels for conveying the message through the film.

Instragram: we selected this channel for its popularity among Romanian teenagers. On this channel we decided to use an approach specific to our audience and created a special image filter dedicated to the &#8220;NU da doar cu SEEN&#8221; campaign and the OTTO The Barbarian film. The filter has been used in several hundred posts and even adopted by influencers.

<b>For family and teachers:</b>

Video-Podcast “Nu da doar cu SEEN”( “Don’t just “SEEN”) &#8211; A concept of videos moderated by a specialist who was already well known on the subject of adolescent depression, psychologist Yolanda Crețescu.

In order to get the message of the campaign across to them, we decided that we needed to involve a few voices that would also have credibility and reach with the audience. We invited and convinced a few relevant voices in the public space to join the campaign without remuneration.

Extensive media relations campaign with a press screening of OTTO the Barbarian and a live debate with the psychologist and some of the influencers in the video-podcast.</div>
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					<div class="elementor-text-editor elementor-clearfix"><p>In just 3 weeks of the campaign we generated exposure for the message in approximately <b>100 press materials </b>across all targeted channels, of which 54 in traditional media (TV, radio, written press, online) and 53 in social media.</p><p>Video-podcast: approximately <b>20,000 views </b>of the videos about teenagers&#8217; relationships with their parents in the context of depression.</p><p><b>100% positive reactions </b>from the media.</p><p>Approximately <b>13 million OTS </b>(people who have been exposed to our message).</p></div>
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					<div class="elementor-text-editor elementor-clearfix"><p>More than <b>1700 children and teenagers </b>have used the DepreHUB TeenLine. Analysis of these cases shows an alarming increase in the number of children who resort to self-harm in situations of fear, anger, conflict, an increase in cases of social phobia in children and pre-teens, and anxiety and hypochondria in adolescents as a consequence of the pandemic period.</p></div>
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		<title>Campaign: SIF Moldova devine EVERGENT Investments</title>
		<link>https://www.publicadvisors.ro/campaign-sif-moldova-devine-evergent-investments/</link>
		
		<dc:creator><![CDATA[PublicAdmin99]]></dc:creator>
		<pubDate>Fri, 06 Jan 2023 08:38:13 +0000</pubDate>
				<category><![CDATA[Projects.]]></category>
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		<category><![CDATA[strategy]]></category>
		<guid isPermaLink="false">https://www.publicadvisors.ro/?p=3130</guid>

					<description><![CDATA[OPPORTUNITY The new strategic context created by the change in legislation and its alignment with European rules, gives SIFs a wider range of action in investment activities, but also the opportunity for a rebranding that SIF Moldova had proposed for some time. Created in a society in transition, redefined from the FPP as one of &#8230;<p class="read-more"> <a class="ast-button" href="https://www.publicadvisors.ro/campaign-sif-moldova-devine-evergent-investments/"> <span class="screen-reader-text">Campaign: SIF Moldova devine EVERGENT Investments</span> Read More »</a></p>]]></description>
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					<div class="elementor-text-editor elementor-clearfix"><p><iframe loading="lazy" title="YouTube video player" src="https://www.youtube.com/embed/zMOKVJ3-KG8" width="560" height="515" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p><h2><strong>OPPORTUNITY</strong></h2><p>The new strategic context created by the change in legislation and its alignment with European rules, gives SIFs a wider range of action in investment activities, but also the opportunity for a rebranding that SIF Moldova had proposed for some time.</p><p>Created in a society in transition, redefined from the FPP as one of the 5 SIFs, SIF Moldova had unfortunately, over the years, accumulated negative associations in terms of reputation and image, creating confusion in the collective mind by identifying with the Romanian state.</p><p>Against the backdrop of the development of the capital market and the performance consistently achieved, the company&#8217;s management decided to separate the name from the other SIFs by changing the name, the visual identity, redefining the identity and repositioning. The measures were implemented with the approval of the ASF and thus began an extensive rebranding process supported by a two-year PR campaign.</p><p><b>It was the first time in the history of the Romanian capital market that a SIF changed its name.</b></p><h2><strong>RESEARCH</strong></h2><p>The five SIFs were set up almost 26 years ago during the first &#8220;cuponiade&#8221; (there was another one in 1995), with the &#8220;mass privatisation programme&#8221;, namely the forced and ill-advised privatisation of state-owned companies.</p><p>The five SIFs received (free) holdings in thousands of state-owned companies. The value of the portfolios amounted, at the time of the 1999 stock exchange listing, to almost a quarter of GDP. Note that Romania&#8217;s economy was at one of its lowest levels in recent history.</p><p>The evolution of SIF securities from listing to the present is astonishing, with increases of tens of times even after having gone through several crises. The generic SIF category has unfortunately managed to accumulate, over the years, strongly negative associations from a reputation and image perspective.</p><p>Even though SIF Moldova has over time achieved positive and different investment performance from the rest of the SIFs, the reputation of the generic category called &#8220;SIFs&#8221; has constantly influenced the reputation of each individual player. Breaking away from these negative representations and building new representations related to the power to bring value to investors in Romania and beyond is the central goal of the rebranding project.</p><h2><strong>PLANNING</strong></h2><p>The main objective, to build awareness of the new brand, but at the same time to move away from the existing negative perception of the category, was extremely difficult to achieve as the new name had to be communicated for a while alongside the former company name.</p><p>This challenge was compounded by the setbacks of the pandemic. Given that it was an extremely bold, almost historic move, but also that SIF Moldova could have lost the trust of current investors, the communication strategy was one that reached multiple audiences with tailored messages, on selected channels, precisely to get the right information to all stakeholders:</p><p><b>Messages for current active investors </b>&#8211; Adaptability to global investment market trends, stability, experience, courage and investment responsibility.</p><p><b>Potential investors </b>&#8211; Extensive experience on the Romanian capital market, best opportunities, very good investment return.</p><p><b>Messages to the BVB and the authorities </b>&#8211; Stable and experienced investment company, modern investment company driven by the ambition to become a reputable and respected European player, professionalizing the business environment.</p><p><b>Messages for employees </b>&#8211; Stability, experience, growth in strength, precision, courage, responsibility and a rigorous way of acting.</p><p><b>Messages for the general public </b>&#8211; Stability, experience, growth in strength, courage and bold decisions, transparency, accountability.</p><p>The communication strategy was developed over a two-year period (phase one &#8211; communicating the new brand, phase two &#8211; reinforcing perception) and included both a classic PR component (press releases with financial results, investments, analysis, pitching stories, media relations, participation in industry events) and a media buying component.</p><h2><strong>EXECUTION</strong></h2><p>Several channels and tactics were used to communicate the new brand, precisely to show the transparency of the company and to remove the brand from the perception that SIFs &#8220;hide&#8221; things, do not communicate, are secretive.</p><p>The process of announcing the rebranding was challenging given that it was not an easy brand to communicate. The financial market in which Evergent operates is one with many specificities and is highly regulated.</p><p>In this context, the process of announcing the rebranding of EVERGENT, although organised before point 0, involved a large deployment of forces in an extremely short time because it depended on the authorisation by the ASF. Also the communications of entities operating in the capital market must be extremely well supervised by the agency given that the first information of the decisions of the General Meetings of Shareholders is made to the BVB and only afterwards to the media and the public.</p><h4><b>”AD HOC” press conference</b></h4><p>A moment of such importance that was writing history on the Romanian capital market had to be properly marked in the relationship with the media and partners.</p><p>We chose the newly-built hybrid studio at the Radisson, where an impressive 14 /3.5 metre LED screen was mounted to display Evergent&#8217;s figures and achievements behind the speakers. The event took place on 8 March 2021 and was a success. Leading general and business publications attended online to announce the rebranding.</p><h4>TEASING</h4><p>We have chosen to use the entire waiting period for ASF approval (Nov 2020- March 2021) to place as much information as possible in the media about this company&#8217;s performance. We used this period as a &#8220;teasing&#8221; financial communication. We have thus conveyed to the press information about 2020 financial results, Evergent management and business strategy, private equity segment.</p><h4>Solid media strategy</h4><p>We supported this extremely important moment in communication for our client with a solid media strategy. We chose to place the message on the cover of the most read and appreciated business publication in Romania and to present their top 5 business results.</p><p>The most important investment company in the capital market needs to build a brand, so the rebranding process and breaking away from the past was essential.</p><p>Over the next few months we chose 10 cover stories and other online media materials as part of our media strategy to have constant and effective communication and to create awareness of the new brand.</p><h4>Change of symbol at the BVB</h4><p>The change of the stock exchange symbol was also the subject of a special event organised at the Bucharest Stock Exchange when the bell was rung when the EVER symbol was introduced on the stock exchange.</p><p>The event was also attended by representatives of the authorities, which shows once again the importance of the company on the capital market.</p><h4>Media relations</h4><p>All these tactics have always been accompanied by an extensive media relations strategy. In the first year after the rebranding, <b>19 press releases</b> were sent out with the decisions taken at the General Assemblies, financial results, Evergent partners, generating around 400 materials and 16 million opportunities to see.</p><p>The 10 management interviews in leading business publications brought in around 800,000 unique visitors.</p></div>
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					<div class="elementor-text-editor elementor-clearfix"><h4>Operational results</h4><p>During the first year more than 500 media materials were generated.</p><p>An estimated 30 million unique visitors were exposed to our messages.</p><p>Another SIF rebranded itself taking the EVERGENT rebranding as an example.</p></div>
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					<div class="elementor-text-editor elementor-clearfix"><h4><strong>communication results </strong></h4><h1>19</h1><p>Press releseas in the first year</p><h1>400</h1><p>Materials in the media</p><h1>16 mil</h1><p>Opportunities to see generated</p><h1>10</h1><p>Management interviews in leading business publications</p><h1>800,000      </h1><p>unique visitors</p></div>
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		<title>Campaign: LOC DE BINE</title>
		<link>https://www.publicadvisors.ro/campaign-loc-de-bine/</link>
		
		<dc:creator><![CDATA[PublicAdmin99]]></dc:creator>
		<pubDate>Thu, 05 Jan 2023 14:00:17 +0000</pubDate>
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		<guid isPermaLink="false">https://www.publicadvisors.ro/?p=3113</guid>

					<description><![CDATA[In Romania, 1 in 5 victims in the prosecutors&#8217; files is a child. Through the #LocDeBine campaign, we managed to get the word out to those who decide and to increase the degree of awareness on this inimaginable cruel reality and the number of hearing rooms for minors.                &#8230;<p class="read-more"> <a class="ast-button" href="https://www.publicadvisors.ro/campaign-loc-de-bine/"> <span class="screen-reader-text">Campaign: LOC DE BINE</span> Read More »</a></p>]]></description>
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					<div class="elementor-text-editor elementor-clearfix"><p>In Romania, 1 in 5 victims in the prosecutors&#8217; files is a child. Through the #LocDeBine campaign, we managed to get the word out to those who decide and to increase the degree of awareness on this inimaginable cruel reality and the number of hearing rooms for minors. </p><p> </p><p> </p><p> </p><p> </p><p><iframe loading="lazy" title="YouTube video player" src="https://www.youtube.com/embed/Sbha-RrkL3c" width="660" height="515" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p><h2> </h2><h2> </h2><p> </p><h2><strong>OPPORTUNITY</strong></h2><p>The drama of each child ends up in a file at the Public Prosecutor&#8217;s Office, and the little ones are passed through institutions: from the police, to the DGASPC, to the prosecutor, to the judge. However, throughout Romania, prior to the campaign initiated by the &#8220;Zi de Bine&#8221; (”The Good Day”) Association, there was <b>only one hearing room</b> specially designed for the child victim or witness. Thus the #LocDeBine (#TheGoodPlace) project was born.</p><p>There is a face of Romania that many of us do not know and would not know how to recognise. It looks as Mari, the turquoise-eyed girl kidnapped by a criminal group and forced into prostitution, tells it, which included, among other things, running a foster home where the police took her to be safe.</p><p>The reality is also as Mihai tells it, kidnapped, drugged, raped, forced into prostitution in the &#8220;Mica Sodoma&#8221; club in Brasov, a gay club frequented by priests, mayors, lawyers, renowned surgeons.</p><p>The reality is, as Larisa confessed to us in the podcast &#8220;Zi de Bine&#8221;, a survivor of human trafficking, abused and enslaved by her own father, married with tears in her eyes and a knife in her back, taken across the border without any papers, disappointed and left alone by every state institution she turned to for protection.</p><p>The reality is that one in five victims in cases brought by Romanian prosecutors is a child.</p><h2><strong>RESEARCH</strong></h2><p>Both in the United States and in Europe, there is an international model of good practice, which in the US is called the Child Advocacy Center, and in Europe, Barnahus.</p><p>This model refers to multidisciplinary and interagency interventions organised in a child-friendly setting. Through <b>meeting the child under one roof and in an integrated way</b>, the Barnahus provides for coordinated, instead of parallel and overlapping, criminal and welfare procedures.</p><p>A key goal is that all Barnahus and similar services progressively develop excellence in practice according to international law and to <u><a href="https://barnahus.eu/en/the-barnahus-quality-standards/" target="_blank" rel="noopener">the </a></u><u><a href="https://barnahus.eu/en/the-barnahus-quality-standards/" target="_blank" rel="noopener">Barnahus</a></u><u><a href="https://barnahus.eu/en/the-barnahus-quality-standards/" target="_blank" rel="noopener"> Quality Standards</a></u> and that there is a balanced response including all “four rooms”, embedded in a multidisciplinary and interagency environment.</p><h2><strong>PLANNING</strong></h2><p>The main objective of the campaign was to raise the alarm about the repressive trauma to which child victims or witnesses of crimes are subjected, through multiple hearings at different stages of the judicial process, by those who should bring them justice, and to generate at the same time a systemic change, by setting up 7 hearing rooms at the prosecutor&#8217;s offices in the country.</p><p>The campaign addressed several target audiences: authorities and stakeholders throughout the justice system, minor defendants and victims of crime, corporate environment, media &amp; general public.</p><p>The message of the campaign is best focused in the name &#8220;Loc de Bine&#8221; which was designed as an antithesis to any experience that child victims of bullying have been exposed to.</p><p>The main message was then broken down for each audience category and spread through national and local media (TV, radio, print and online) and social media.</p><h2><strong>EXECUTION</strong></h2><p>&#8220;Loc de Bine&#8221; is an initiative that gives the opportunity to conduct the hearing of the minor following an age-appropriate protocol and by a specialist interviewer, in a space specifically designed for children, with elements and support materials to help them tell their story.</p><h3>PHASE 1: attracting founding</h3><p>For the implementation of the project LOC DE BINE, the Association encouraged individuals to form an association, in order to have more credibility and traction. Thus, the Association for Victims of Sexual Offences (VIS &#8211; in Romanian means DREAM) was born, which aims to support by all means the investigation of crimes of violence against minors, together with which Day of Good has realized the first 3, and by the end of the year <b>7 hearing rooms for minors</b>. The funding for the first 3 juvenile hearing rooms in our initial plan came from three large companies with social involvement values close to those of our campaign: LIDL, e-ON and Unicredit Bank.</p><h3>PHASE 2: Implementation</h3><p>In order to be able to build these rooms, we needed permission from the Public Ministry. We had, from the beginning, the support of the Attorney General of Romania and, especially, that of the prosecutors who handle cases of sexual offences involving minors and who understood very well the traumas to which these children are endlessly subjected through hearings and rehearings until the end of a trial. They had also witnessed the pain and tears of the little ones so many times in the past.</p><h3>PHASE 3: Communication</h3><p>The communication was divided into two sections:</p><ol><li>A) The project announcement.</li><li>B) The moment when the first minors&#8217; hearing room was completed.</li></ol><h3>PHASE 4: Instead of Epilogue, 4 more rooms</h3><p>The echoes of our campaign have been so resounding that requests have also come from other prosecutors&#8217; offices in the country. So far, we have inaugurated 4 more rooms in Argeș, Sibiu, Mureș and Bacău.</p><h3>PHASE 5: afterward</h3><p>Just one year after the launch of our #LocDeBine campaign, we initiated a new campaign: #LocDeAdevar after we attracted the Ilfov Public Prosecutor&#8217;s Office, Ilfov County Council, DGASPC Ilfov, the National Centre for Mental Health and Drug Abuse Control and the Institute for the Study and Treatment of Trauma.</p><p>Practically, we have realized together with them the first Integrated Centre in Romania for Supporting the Investigation of Violence Against Children.</p><p>The new multidisciplinary space, consisting of a hearing room, an assistance room, a forensic investigation room, including the first forensic colposcope in Romania and a social and therapeutic assistance area has been inaugurated in Săftica. LocdeAdevăr was created by replicating the international best practice model which in the USA is called Child Advocacy Center and in Europe, Barnahus.</p></div>
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					<div class="elementor-text-editor elementor-clearfix"><h4>Operational results</h4><p><u><b>FEB 2021</b></u><u> &#8211; </u><b>first 3 minor hearing rooms </b>in the Public Prosecutor&#8217;s Offices at the courts of Constanța, Vrancea and Vâlcea.</p><p><u><b>DEC 2021 </b></u><u>&#8211; </u>people in the system have requested and we have realized <b>4 more juvenile hearing rooms</b></p><p><b>20%</b> of Romania has juvenile hearing rooms</p><p>in county court prosecutors&#8217; offices after our efforts</p><p><b>5 </b>institutions join the project: Ilfov Public Prosecutor&#8217;s Office, Ilfov County Council, DGASPC Ilfov, the National Centre for Mental Health and Drug Abuse Control and the Institute for the Study and Treatment of Trauma Association</p><p>2022 <b>&#8211; Romania&#8217;s First Integrated Centre to Support the Investigation of Violence Against Children #LocdeAdeAdevăr</b></p><p><b>The first forensic colposcopy in Romania</b> </p><p><b>35</b> cameras in the near future</p><p>The project of the seven &#8220;Places of Good&#8221; has already been taken over by the Public Ministry, and the General Prosecutor&#8217;s Office is going to set up another 35 children&#8217;s hearing rooms</p></div>
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					<div class="elementor-text-editor elementor-clearfix"><h4><strong>communication results </strong></h4><h2>&gt;500</h2><p>media appearances throughout the campaign period <b>(in prime time on ProTV, Prima TV and Digi24 news</b>, over 250 items in the national press, over 200 appearances in the local press)</p><h2>40 mil      </h2><p>unique visitors had access to our campaign message</p></div>
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